In the second part of the highly acclaimed and internationally bestselling series Made in Sweden, one brother fictionalises the real crimes of his own family for a remarkable and epic novel.

In the second part of the highly acclaimed and internationally bestselling series Made in Sweden, one brother fictionalises the real crimes of his own family for a remarkable and epic novel.

Sons and Lovers is a wonderful novel on the complex nature of love in its many forms. We follow the lives of the Morel family who live in a coal mining community in Nottinghamshire at the turn of the twentieth century. Walter and Gertrude's marriage has problems and Gertrude concentrates her love and hopes on her sons. She becomes a dominating force to them and the life choices they make. The sons suffer with obsession, frustration and indecision about the women in their lives.

Sons and Lovers is a wonderful novel on the complex nature of love in its many forms. We follow the lives of the Morel family who live in a coal mining community in Nottinghamshire at the turn of the twentieth century. Walter and Gertrude's marriage has problems and Gertrude concentrates her love and hopes on her sons. She becomes a dominating force to them and the life choices they make. The sons suffer with obsession, frustration and indecision about the women in their lives.

Sons and Lovers is a wonderful novel on the complex nature of love in its many forms. We follow the lives of the Morel family who live in a coal mining community in Nottinghamshire at the turn of the twentieth century. Walter and Gertrude's marriage has problems and Gertrude concentrates her love and hopes on her sons. She becomes a dominating force to them and the life choices they make. The sons suffer with obsession, frustration and indecision about the women in their lives.

Sons and Lovers is a wonderful novel on the complex nature of love in its many forms. We follow the lives of the Morel family who live in a coal mining community in Nottinghamshire at the turn of the twentieth century. Walter and Gertrude's marriage has problems and Gertrude concentrates her love and hopes on her sons. She becomes a dominating force to them and the life choices they make. The sons suffer with obsession, frustration and indecision about the women in their lives.

Wise and funny, touching and true, What We’re Teaching Our Sons is for anyone who has ever wondered how to be a grown up. We’re teaching our sons about money; about heartbreak, and mountains, and philosophy. We’re teaching them about the big bang and the abominable snowman and what happens when you get struck by lightning. We’re teaching them about the toughness of single mothers, and the importance of having friends who’ve known you longer than you’ve known yourself, and the difference between zombies and vampires. We’re teaching them about sex, although everyone would be a lot happier if the subject had never come up… Meet the married Dads, the divorced Dads, the widowed Dads and the gay Dads; the gamblers, the firemen, the bankers, the nurses, the soldiers and the milkmen. They’re trying to guide their sons through the foothills of childhood into the bewildering uplands of adulthood. But it’s hard to know if they’re doing it right. Or what their sons’ mothers think… Wise and funny, touching and true, What We’re Teaching Our Sons is for anyone who has ever wondered how to be a grown up.

Fathers and Sons is one of the greatest of nineteenth century Russian novels and has long been acclaimed as Turgenev's finest work. It is a political novel set in a domestic context with a universal theme - the generational divide between fathers and sons. Set in 1859 at the moment when the Russian autocratic state began to move hesitantly towards social and political reform, the novel explores the conflict between the liberal-minded fathers of Russian reformist sympathies and their free-thinking intellectual sons whose revolutionary ideology threatens the stability of the state. At its centre is Evgeny Bazarov, a strong-willed antagonist of all forms of social orthodoxy who proclaims himself a nihilist and believes in the need to overthrow all the institutions of the state. As the novel develops Bazarov's political ambitions become fatally meshed with emotional and private concerns, and his end is a tragic failure. The novel caused a bitter furore on its publication in 1862, and this, a year later, drove Turgenev from Russia.

Absalom, Absalom! tells the story of Thomas Sutpen, the enigmatic stranger who came to Jefferson township in the early 1830s. With a French architect and a band of wild Haitians, he wrung a fabulous plantation out of the muddy bottoms of the north Mississippi wilderness. Sutpen was a man, Faulkner said, "who wanted sons and the sons destroyed him". His tragedy left its impress not only on his contemporaries but also on men who came after, men like Quentin Compson, haunted even into the 20th century by Sutpen's legacy of ruthlessness and singleminded disregard for the human community.

Sons and Lovers (1913) is the semi-autobiographical story of a young man's struggle for emotional independence. Trapped in a violent, loveless marriage to a man she considers socially inferior, Gertrude Morel devotes herself to her sons, William and Paul. When William leaves home and subsequently dies, she pours herself into the relationship with the younger son. Paul is torn between meeting Gertrude's demands and reconciling the conflicting feelings he has for two quite different lovers, Miriam and Clara.

Three sons. Three mums. One week.Matt, Daniel and Paul were childhood friends. Now in their thirties, they've lost touch and have only one thing in common: their mothers. Little do they know that, having spent a cardless Mother's Day discussing how their emotionally dysfunctional offspring should be settling down, Carol, Gillian and Helen have decided to pay their wayward sons a visit. On the same day, they turn up on their sons' doorsteps, uninvited and unannounced. Their plan is to reestablish the mother-son bond by moving in for one week. Just a week. Surely that's not a lot to ask.

Three sons. Three mums. One week.Matt, Daniel and Paul were childhood friends. Now in their thirties, they've lost touch and have only one thing in common: their mothers. Little do they know that, having spent a cardless Mother's Day discussing how their emotionally dysfunctional offspring should be settling down, Carol, Gillian and Helen have decided to pay their wayward sons a visit. On the same day, they turn up on their sons' doorsteps, uninvited and unannounced. Their plan is to reestablish the mother-son bond by moving in for one week. Just a week. Surely that's not a lot to ask.

Roffe and Sons is a family firm, an international empire filled with desperate, cash-hungry family members. At its head was one of the wealthiest men in the world, a man who has just died in a mysterious accident and left his only daughter, Elizabeth, in control of the company. Now as this intelligent, tough, and beautiful young woman dares to save -- not sell -- Roffe and Sons, she will have to outwit those who secretly want her power, and the unknown assassin who wants her life.

First published as Whatever Makes You Happy, the hilarious and moving novel about mothers and their adult sons, now a Netflix original movie starring Felicity Huffman, Angela Bassett and Patricia Arquette which has now been viewed on over 27 million accounts worldwide Three sons. Three mums. One week. Matt, Daniel and Paul were childhood friends. Now in their thirties, they've lost touch and have only one thing in common: their mothers. Little do they know that, having spent a cardless Mother's Day discussing how their emotionally dysfunctional offspring should be settling down, Carol, Gillian and Helen have decided to pay their wayward sons a visit. On the same day, they turn up on their sons' doorsteps, uninvited and unannounced. Their plan is to reestablish the mother-son bond by moving in for one week. Just a week. Surely that's not a lot to ask...

WINNER OF THE ROGERS WRITERS' TRUST FICTION PRIZE.WINNER OF THE TORONTO BOOK AWARD.LONGLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION.LONGLISTED FOR THE SCOTIABANK GILLER PRIZE.A GUARDIAN BOOK OF THE YEAR.Michael and Francis are the bright, ambitious sons of Trinidadian immigrants. Coming of age in the outskirts of a sprawling city, the brothers battle against careless prejudices and low expectations.While Francis aspires to a future in music, Michael dreams of Aisha, the smartest girl in their school, whose eyes are firmly set on a life elsewhere. But one sweltering summer night the hopes of all three are violently, irrevocably cut short.In this timely and essential novel, David Chariandy builds a quietly devastating story about the love between a mother and her sons, the impact of race, masculinity and the senseless loss of young lives.

WINNER OF THE ROGERS WRITERS' TRUST FICTION PRIZE.WINNER OF THE TORONTO BOOK AWARD.LONGLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION.LONGLISTED FOR THE SCOTIABANK GILLER PRIZE.A GUARDIAN BOOK OF THE YEAR.Michael and Francis are the bright, ambitious sons of Trinidadian immigrants. Coming of age in the outskirts of a sprawling city, the brothers battle against careless prejudices and low expectations.While Francis aspires to a future in music, Michael dreams of Aisha, the smartest girl in their school, whose eyes are firmly set on a life elsewhere. But one sweltering summer night the hopes of all three are violently, irrevocably cut short.In this timely and essential novel, David Chariandy builds a quietly devastating story about the love between a mother and her sons, the impact of race, masculinity and the senseless loss of young lives.