'Manuscripts don't burn' This ribald, carnivalesque satire - featuring the Devil, true love and a gun-toting cat - was written in the darkest days of the Soviet Union and became an underground sensation.

The original and best translation by Michael Glenny 50th Anniversary Edition Afterwards, when it was frankly too late, descriptions were issued of the man: expensive grey suit, grey beret, one green eye and the other black. He arrives in Moscow one hot summer afternoon with various alarming accomplices, including a demonic, fast-talking black cat. When he leaves, the asylums are full and the forces of law and order are in disarray. Only the Master, a man devoted to truth, and Margarita, the woman he loves, can resist the devil's onslaught. Brilliant and blackly comic, The Master and Margarita was repressed by Stalin's authorities and only published after the author's death. The Vintage Classic Russians Series: Published for the 100th anniversary of the 1917 Russian Revolution, these are must-have, beautifully designed editions of six epic masterpieces that have survived controversy, censorship and suppression to influence decades of thought and artistic expression.

Russia's literary world is shaken to its foundations when a mysterious gentleman - a professor of black magic - arrives in Moscow, accompanied by a bizarre retinue of servants. It soon becomes clear that he is the Devil himself, come to wreak havoc among the cultural elite of a disbelieving capital. But the Devil's mission quickly becomes entangled with the fate of the Master - a man who has turned his back on his former life and taken refuge in a lunatic asylum - and his past lover, Margarita. Both a satirical romp and a daring analysis of the nature of good and evil, innocence and guilt, The Master and Margarita is the crowning achievement of one of the greatest Russian writers of the twentieth century.

A literary sensation from its first publication, The Master and Margarita is considered a masterpiece of twentieth-century Russian literature. Part of the Macmillan Collector's Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is translated by Diana Burgin and Katherine Tiernan O'Connor, and features an introduction by Orlando Figes. In Mikhail Bulgakov's imaginative extravaganza, Satan, disguised as a magician, descends upon Moscow in the 1930s with his riotous band, which includes a talking cat and an expert assassin. This visit has several aims, one of which concerns the fate of the Master, an author who has written a novel about Pontius Pilate and is now in a mental hospital. By turns satiric, fantastic and ironically philosophical, The Master and Margarita constantly surprises and entertains as the action switches back and forth between twentieth-century Moscow and first-century Jerusalem.

Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will do anything to save the imprisoned writer she loves. Translated by Richard Pevear and Larissa Volokhonsky with an Introduction by Richard Pevear.

In this imaginative extravaganza the devil, disguised as a magician, descends upon Moscow, along with a talking cat and an expert assassin. This riotous band succeed in fooling an entire population of people who persistently deny the devil’s existence, even as they are confronted with the diabolic results of a magic act gone wrong. The devil’s project soon becomes involved with The Master, a man who has turned his back on his former life and sought sanctuary in a lunatic asylum, and his former lover, Margarita. A literary sensation from its first publication, The Master and Margarita has been translated into more than twenty languages. Mikhail Bulgakov’s novel is now considered one of the seminal works of twentieth-century Russian literature. By turns acidly satiric, fantastic and ironically philosophical, this story constantly surprises and entertains.

The devil makes a personal appearance in Moscow accompanied by various demons, including a naked girl and a huge black cat. When he leaves, the asylums are full and the forces of law and order in disarray. Only the Master, a man devoted to truth, and Margarita, the woman he loves, can resist the devil's onslaught.

This is a fully annotated translation of the most complete text of Bulgakov's exuberant comic masterpiece. A literary sensation from its first publication, "The Master and Margarita" has become an astonishing publishing phenomenon in Russia and has been translated into more than twenty languages, and made into plays and films. Mikhail Bulgakov's novel is now considered one of the seminal works of twentieth-century Russian literature. In this imaginative extravaganza the devil, disguised as a magician, descends upon Moscow in the 1930s with his riotous band, which includes a talking cat and an expert assassin. Together they succeed in comically befuddling a population which denies the devil's existence, even as it is confronted with the diabolic results of a magic act gone wrong. This visit to the world capital of atheism has several aims, one of which concerns the fate of the Master, a writer who has written a novel about Pontius Pilate, and is now in a mental hospital. By turns acidly satiric, fantastic and ironically philosophical, this work constantly surprises and entertains, as the action switches back and forth between the Moscow of the 1930s and first century Jerusalem. The commentary and afterword provide new insight into the mysterious subtexts of the novel, and here "The Master and Margarita" is revealed in all its complexity.

This is a fully annotated translation of the most complete text of Bulgakov's exuberant comic masterpiece. A literary sensation from its first publication, The Master and Margarita has become an astonishing publishing phenomenon in Russia and has been translated into more than twenty languages, and made into plays and films. Mikhail Bulgakov's novel is now considered one of the seminal works of twentieth-century Russian literature. In this imaginative extravaganza the devil, disguised as a magician, descends upon Moscow in the 1930s with his riotous band, which includes a talking cat and an expert assassin. Together they succeed in comically befuddling a population which denies the devil's existence, even as it is confronted with the diabolic results of a magic act gone wrong. This visit to the world capital of atheism has several aims, one of which concerns the fate of the Master, a writer who has written a novel about Pontius Pilate, and is now in a mental hospital. By turns acidly satiric, fantastic and ironically philosophical, this work constantly surprises and entertains, as the action switches back and forth between the Moscow of the 1930s and first century Jerusalem. The commentary and afterword provide new insight into the mysterious subtexts of the novel, and here The Master and Margarita is revealed in all its complexity.

The devil with his retinue, a poet incarcerated in a mental institution for speaking the truth, and a startling re-creation of the story of Pontius Pilate, constitute the elements out of which Mikhail Bulgakov wove The Master and Margarita, the unofficial masterpiece of twentieth-century Soviet fiction. Long suppressed in its native land, this account of strange doings in Moscow in the 1930s provides us with the essence of the sceptical, trenchant, unadulterated voice of dissent.

Translated, with explanatory notes, by Michael Karpelson. Moscow, 1929: a city that has lost its way amid corruption and fear, inhabited by people who have abandoned their morals and forsaken spirituality. But when a mysterious stranger arrives in town with a bizarre entourage that includes a giant talking cat and a fanged assassin, all hell breaks loose. Among those caught up in the strange and inexplicable events that transpire in the capital are the Master, a writer whose life has been destroyed by Soviet repression, and his beloved Margarita. Their adventures reveal a story that began two thousand years ago in ancient Jerusalem - and its resolution will decide their fate. Considered one of the finest creations of Russian literature in the 20th century, The Master and Margarita is an amazing work of fantasy, a love story, a biting satire on Soviet life, and a lot more. Mikhail Bulgakov's last book and crowning achievement, it has been written in secrecy, burned and restored, and banned for decades. Its author, who worked on it until his final days, never saw it in print. This new translation faithfully reproduces the style and idiomatic flow of the text, so that English-speaking audiences may fully enjoy Bulgakov's masterpiece.

A Dog's Heart: An Appalling Story is Mikhail Bulgakov's hilarious satire on Communist hypocrisies. This Penguin Classics edition is translated with notes by Andrew Bromfield, and includes an introduction by James Meek. In this surreal work by the author of The Master and Margarita, wealthy Moscow surgeon Filip Preobrazhensky implants the pituitary gland and testicles of a drunken petty criminal into the body of a stray dog named Sharik. As the dog slowly transforms into a man, and the man into a slovenly, lecherous government official, the doctor's life descends into chaos. A scathing indictment of the New Soviet Man, A Dog's Heart was immediately banned by the Soviet government when it was first published in 1925: alternating lucid realism with pulse-raising drama, the novel captures perfectly the atmosphere of its rapidly changing times. Andrew Bromfield's vibrant translation is accompanied by an introduction by James Meek, which places the work in the context of the Russian class struggles of the era and considers the vision, progressive style and lasting relevance of an author who was isolated and suppressed during his lifetime. This edition also contains notes and a chronology. Mikhail Bulgakov (1891-1940) was born in Kiev, today the capital of Ukraine. After finishing high school, Bulgakov entered the Medical School of Kiev University, graduating in 1916. He wrote about his experiences as a doctor in his early works Notes on Cuffs and Notes of a Young Country Doctor. His later works treated the subject of the artist and the tyrant under the guise of historical characters, but The Master and Margarita is generally considered his masterpiece. Fame, at home and abroad, was not to come until a quarter of a century after his death at Moscow in 1940.

The career of Mikhail Bulgakov, the author of Master and Margarita - now regarded as one of the masterpieces of twentieth-century literature - was characterized by a constant and largely unsuccessful struggle against state censorship. This suppression did not only apply to his art: in 1926 his personal diary was seized by the authorities. From then on he confined his thoughts to letters to his friends and family, as well as to public figures such as Stalin and his fellow Soviet writer Gorky, while also encouraging his wife Yelena to keep a diary, with many entries influenced or even dictated by him. This ample selection from the diaries and letters of the Bulgakovs, mostly translated for the first time into English, provides an insightful glimpse into a fascinating period of Russian history and literature, telling the tragic tale of the fate of an artist under a totalitarian regime.

The career of Mikhail Bulgakov, the author of Master and Margarita - now regarded as one of the masterpieces of twentieth-century literature - was characterized by a constant and largely unsuccessful struggle against state censorship. This suppression did not only apply to his art: in 1926 his personal diary was seized by the authorities. From then on he confined his thoughts to letters to his friends and family, as well as to public figures such as Stalin and his fellow Soviet writer Gorky, while also encouraging his wife Yelena to keep a diary, with many entries influenced or even dictated by him.This selection from the diaries and letters of the Bulgakovs, mostly translated for the first time into English, provides an insightful glimpse into a fascinating period of Russian history and literature, telling the tragic tale of the fate of an artist under a totalitarian regime. . . . . .

The career of Mikhail Bulgakov, the author of Master and Margarita - now regarded as one of the masterpieces of twentieth-century literature - was characterized by a constant and largely unsuccessful struggle against state censorship. This suppression did not only apply to his art: in 1926 his personal diary was seized by the authorities. From then on he confined his thoughts to letters to his friends and family, as well as to public figures such as Stalin and his fellow Soviet writer Gorky, while also encouraging his wife Yelena to keep a diary, with many entries influenced or even dictated by him.This selection from the diaries and letters of the Bulgakovs, mostly translated for the first time into English, provides an insightful glimpse into a fascinating period of Russian history and literature, telling the tragic tale of the fate of an artist under a totalitarian regime......

The career of Mikhail Bulgakov, the author of Master and Margarita - now regarded as one of the masterpieces of twentieth-century literature - was characterized by a constant and largely unsuccessful struggle against state censorship. This suppression did not only apply to his art: in 1926 his personal diary was seized by the authorities. From then on he confined his thoughts to letters to his friends and family, as well as to public figures such as Stalin and his fellow Soviet writer Gorky, while also encouraging his wife Yelena to keep a diary, with many entries influenced or even dictated by him.This selection from the diaries and letters of the Bulgakovs, mostly translated for the first time into English, provides an insightful glimpse into a fascinating period of Russian history and literature, telling the tragic tale of the fate of an artist under a totalitarian regime. . . . . .